Composition in Red is an eruption of layered crimson, vermilion, and muted pinks - a visual improvisation built on rhythm... Read More
Composition in Red is an eruption of layered crimson, vermilion, and muted pinks - a visual improvisation built on rhythm rather than structure. It avoids fixed focal points, instead inviting the eye to wander through overlapping zones of intensity and collapse. The brushwork here feels both impulsive and meditative, with subtle undercurrents of tension. While the composition appears spontaneous, its internal balance relies on a deliberate orchestration of tonal variation and negative space. The result is an atmosphere charged with movement, yet suspended in a moment just before unraveling.
